A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. With an invisible horizon, a chance presents itself to meditate on the “speed” of water and the sea and also for a more fluid kind of editing.

A young violin prodigy is manipulated and pushed to her psychological breaking point by the composer she adores.

Found footage using Chantal Akerman's Jeanne Dielman.

Ivory's initial effort as a filmmaker was Venice: Theme and Variations, a documentary made as his master's thesis at the USC film school that, although only 28 minutes long, is rich in composition and aesthetic texture.

First film by the Whitney brothers.

In early 2020, MUTA - International Festival of Audiovisual Appropriation and Cine Íntimo rescued and digitised a Peruvian archive of orphaned 8mm and Super 8 home movies. With the aim of restoring these lost memories, we sent the images around the world. This omnibus film is the result of the intervention of this material, by 14 experimental filmmakers. Fourteen perspectives and ways of experiencing appropriation. Fourteen variations on the intimate.

A Wide Variety of Sexual Encounters! From 3-Ways, Girl-Girl, Sex Toys, Anal and More!

Originally, the images of Variations on two photographs by Tina Modotti were engraved directly on 16mm film to be projected as a backdrop for Louis Bédard's choreographic piece entitled Elles, which was inspired by the life and work of the well-known Mexican photographer Tina Modotti. My animations were particularly inspired by two images, first a photography of roses and second a photography of telegraphic wires, suggesting on the one hand an intimate and enclosed universe and, on the other, an infinite opening of space full of potential messages. I have reworked and developed them into an almost abstract meditative drama, caught in a tension between those two photographs.